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musical instruments in the mix compressor

www.strumenti-musicali.info

between musical instruments to work there in the mix compressor that allows you to control the peaks (dynamic) that occur in mix. In short, it crushes the strongest peak then it means that you can increase the overall volume of the track to get that sound more linear.

the compressor and a musical instrument outboard belonging to the family and belongs to the 'base' family income of musical effects.

Its uses can be either "correctional" and creative - An example would be correctional to keep sustain the final note of a guitar where it might otherwise go under the other instruments in the mix (the constant note of a guitar of course falls in volume the longer it is held, the compressor can act to keep it prominent in the recording) .

musical instruments online: the compressor

creative, you can also use it as it is called 'pumping gain'. Commonly used in dance music to add more punch to the chest, the initial splash is "spoken" by the compressor before being released soon.
Let's take a look at the parameter settings in common with to play with.



Threshold Sets the decibel (dB) threshold for the level at which the compressor starts working. If you set to 10 dB, for example, any signal coming from the compressor will take the form according to the parameters below.

musical instruments




This ratio sets the amount of compression, in dB, applied to a signal once it violates your pre-set threshold ving eliminated db in excess.

as a ratio of 4:1 will release a 4 dB for every dB the input signal exceeding the threshold


---------------------- -------------------------------------------------- --------



attack
time, measured in milliseconds (ms), required for the compressor to reach its maximum level on the sound.

A fast attack can be useful for damping peaks so that the overall level of the track can be increased.



Release controls how long (ms) required to free a signal processed by the compressor, and then once it has fallen below the threshold specified acts.

A long release time can be used to support the addition of a signal - or a guitar solo for example.


Sets the output level Global output of compressor Music (dB). This can be useful to return to the standard output level was reduced after his


musical instruments online: the compressor

guidelines compression for the most popular musical instruments:


for a complete mix set attack and release as fast as possible Threshold: -5 dB to-9dB knee Soft Soft

2:01 to 3:01 Drums Drums Attack: 5ms Release: 10ms or Auto Threshold:-15dB Ratio: 5:1 to 8:1 knee: Hard Hard

Synth Bass Synth Bass Attack: 4ms to 10ms Release: 10ms threshold-4dB to-8dB ratio: 4:1 Knee: Hard Hard

low Attack: 4ms to 10ms Release: 10ms Threshold:-10dB to-2dB ratio8: 1 knee: Hard Hard

voice attack fast as possible issue: the lowest possible threshold or Auto :-3dB to-8dB ratio4: 1 to 12:1 knee: Soft Soft

Brass Instruments Brass attack: The fastest possible release: Fastest possible or Auto Threshold:-10dB to-14dB Ratio: 2:1 to 8:1 knee: Hard or soft

Guitars: attack the quickest possible release: Fastest possible or Auto Threshold:-10dB to-14dB Ratio:-14dB to-8dB knee: Hard or soft

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http://spartiti-per-chitarra.blogspot.com/

http://tablature-accordi-chitarra.blogspot.com/

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The Society of Seven A small door

Near Abbadia Isola, near Siena, the Montemaggio notorious for its martyrs, is the center of a dark story that, although it falls between the beginning of the century and the end of World War II, seems to be a splinter escape the inexorable flow of time ... The testimony is due to diary-destroyed-for more of an unidentified parish priest locally and is said to be mad after a long investigation of the facts in an attempt to prevent the event.
Many sites on the net show the same long and detailed piece that tells of a "great man" through a hidden power that he held in his hand the population of Abbadia Isola bartering miraculous cures and interventions on the weather with the unconditional membership to the "cult" which was in charge along with a small group of trusted collaborators.
The story is about poor and gullible peasants that seem to correspond more to a topos of medieval narrative to the actual condition of the sharecropping system Tuscan between 1900 and 1945 and while at first seems to be no trace of sources, quotations, surveys or interviews conducted in the field, looking more closely we discover rather than in the late 80's, Massimo Biliorsi in his "Al Apart from Siena, IFI 1988, tried to reconstruct the entire history of the mysterious holy man, helped by local people who remembered the events well.
"The sect was called the Society of Seven" -forum user tells Frustone Nature Mediterranean, quoting Biliorsi- "from the name of the ritual that will pass through seven gates scattered in a long journey that began just outside Pian del Lago, to go up in the forests of Montemaggio. Six doors are also now some really bad ... kept watch some pastures and woods without it 'right there' on the left wall or walls. " It was
gaps to cross, steps of a symbolic ritual that followers traveled route, singing in procession during the night of the new moon, hooded and carrying torches and candles, accompanied by a pregnant woman and three pairs of adolescents. It is said that every door recasse written in a strange alphabet, the words to reach the next and so on, the way to seventh, a sort of "stargate", the place that would have led the followers of the "truth." In the forests of
Montemaggio you can actually meet six of the seven ports mentioned, but after the sixth path that crosses all vanish, disturbing, in anything ...

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