In the early pages of "Camera Lucida" Roland Barthes calls the photograph as belonging to "... the class of objects made of thin layers of which can not be separated without destroying the two layers: the glass and the landscape, and why not: good and evil, desire and its object ...."
later wrote a note on a photograph taken by Charles Clifford the Alhambra in Granada in 1854. Nothing monumental, " An old house, a porch in the shade, a tiled roof ..." that were it not for that "faded decoration Arab" perceived only in the lancet window and nell'ogiva 's arch, may be an old house in a Tuscan village or ancient Provencal ... A photograph that moves " because, quite simply, that's where I live ... I want to live there in harmony ..."
Consonanza is a term typically connected to the world of sounds, that here, in a context that is instead focused on the images, the sense of sight, Barthes emphasizes the use of italics, indicating that then "this consonant is never satisfied by Travel photos ".
The photographs of landscapes, urban or rural, should be "Habitable " raise him as a "desire for home," have a soft and pleasant sound, which is spread by those "thin layers" of they are made to indicate that the gate is open the implementation of a "desire for home ... ghostly" that "arises from a kind clairvoyance that seems to be taken forward to a utopian time, or take me back, I do not know to which region of myself that double movement Baudelaire sang in 'Invitation au voyage and Vie antérieur. "
E ' therefore a perception that with extended Barthes which captures " the essence of the landscape " : spelling of ultra-light and sound, and remembrance of premonition "beloved landscapes" where is like "sure to be there already state or having to go ".
later wrote a note on a photograph taken by Charles Clifford the Alhambra in Granada in 1854. Nothing monumental, " An old house, a porch in the shade, a tiled roof ..." that were it not for that "faded decoration Arab" perceived only in the lancet window and nell'ogiva 's arch, may be an old house in a Tuscan village or ancient Provencal ... A photograph that moves " because, quite simply, that's where I live ... I want to live there in harmony ..."
Consonanza is a term typically connected to the world of sounds, that here, in a context that is instead focused on the images, the sense of sight, Barthes emphasizes the use of italics, indicating that then "this consonant is never satisfied by Travel photos ".
The photographs of landscapes, urban or rural, should be "Habitable " raise him as a "desire for home," have a soft and pleasant sound, which is spread by those "thin layers" of they are made to indicate that the gate is open the implementation of a "desire for home ... ghostly" that "arises from a kind clairvoyance that seems to be taken forward to a utopian time, or take me back, I do not know to which region of myself that double movement Baudelaire sang in 'Invitation au voyage and Vie antérieur. "
E ' therefore a perception that with extended Barthes which captures " the essence of the landscape " : spelling of ultra-light and sound, and remembrance of premonition "beloved landscapes" where is like "sure to be there already state or having to go ".
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